[ kyouka & jae-ha, monday ]
[Presumably after lunch is when he catches her. Jae-ha will catch Kyouka's gaze and give her a friendly little wave.]
Hello again, little miss.
Can I borrow you for a second?
Hello again, little miss.
Can I borrow you for a second?
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... What are you borrowing me for?
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Do you have a place in mind for that already?
[ - if jae-ha saw the tapestries or the assassination attempt, he doesn't seem to say anything about it at all.]
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[ She's a little more curious now than wary.
Her gaze is questioning, beckoning him to go on. ]
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[for the sake of avoiding captcha we can say that they exchanged names in their intro thread
but he'll take a few steps, looking back at her and encouraging her to follow him]
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It's full of laughter and food. It's loud but welcoming. There are many strong personalities, but most of all, they're good people. They help people. They save people.
[ They helped her. They saved her. ]
I want to be a part of them.
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Can you tell me what the people look like? I'm something of an artist - I've been told I have a good eye for beauty.
[has he been told that or did he imagine it]
Maybe I can find something to sketch with in the tailor's room.
[ - just to explain where he's leading her to]
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She's business-like in her description, as if she's listing a wanted criminal's profile. ]
Uneven hair, like it was cut like a knife. [ Kyouka makes a hand motion in the angle that Atsushi's bangs make. ] He wears suspenders, a tie, and fingerless gloves.
[ ... ]
Are you going to draw them?
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[he'll open the door to the tailor's room for her, quietly poking even as he continues to pursue some answers]
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His hair is grey. His eyes are purple and yellow.
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A funny thing happened today - when I opened the scrolls left in our rooms, I was given a pinch of magic.
[and as such, he makes a gesture with his hand and conjures an illusion. a young man just as kyouka described - obviously not a picture perfect imitation of atsushi, but jae-ha is certainly trying]
So.. something like this?
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She gets really close to the illusion, examining it with a little wonder and a somewhat critical eye. ]
It's close. I didn't think I'd get to see him again so soon.
[ Her voice gets soft, and she looks like a lonely 14 year old girl for a brief moment. ]
Can you only make an image of people? Can you I ask to see someone else?
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[And he lets the image of Atsushi fade, though he waves goodbye to Kyouka before he does, his mouth saying 'see you later' as if it'll soften the blow. Then Jae-ha will gesture to the space above them, where he's created the image of a beautiful, blue, open sky.]
I can expand it a little bit... but it's not often very big.
If you tell me what you want to see, I can try to bring it to you.
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It doesn't have to be a life size image. If it's small but whole, it's okay. I'll...
[ Honestly, she doesn't know how she'll feel. It's something she keeps hidden in her heart.
She closes her eyes. Her small fist trembles ever so slightly. ]
A man with a long bowl cut. He's calm and smiling, sitting at a dining table. He's wearing a sweater over a button up shirt and happy to be home from work. A woman with long silky dark hair down to her waist, her bangs parted in the middle. Some of her hair is pulled back in a small but neat bun. She's wearing a kimono with the sleeves rolled to her elbows, and she's beautiful and stands strong.
[ It's the last time her family was whole. ]
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With a wave of his hand, he tries to build the image in front of Kyouka. It takes up the space in front of them. The two sit at the dining table and - a little touch of Jae-ha's own intuition - he places Kyouka in the image too. She sits between them, happy.
Carefully and slowly, he places his hand to hold over her fist, warm and certain.]
... you can open your eyes.
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It's not long until she brings her hands to her face to cover it. It's an illusion too beautiful to bear, and finally, she sobs, sounding the most like a little lost girl than she has in ages. ]
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Jae-ha's expression melts into one of fondness coupled with sadness. Children really deserve beauty like this. It's her family, isn't it? But it hurts, because she probably doesn't have it anymore. He remembers reading her tapestry - assassination - and thinking that it's most effective when you pull them away from their families when they're younger.
He doesn't want to scare her, so he warns - ]
I'm going to give you a hug, dear miss Kyouka.
[and he'll bend at the waist to make good on his promise, slowly wrapping his arms around her and encouraging her to come into his chest.]
My goal wasn't your tears... but you've been holding this in, haven't you?
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She gives the tiniest nod against his chest. ]
... It's been years. I'm so sorry.
[ Is she apologizing to him? Is she apologizing to her parents? It's still her fault they're gone, she thinks. Does she deserve to see them like this? Does she deserve to see herself happy with them?
She misses it. She misses them. She misses not being a murderer.
She lets her tears come to a stop before she speaks again. ]
I asked you to show me them, and you did what I asked. My tears aren't your fault. [ ... ] Thank you. For this.
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There's nothing to be sorry about.
[He's not mad. And he's here for her.]
... I wanted to show you a little bit of beauty, of what you might miss. Even if it happened a long time ago, some wounds don't get to heal if you don't let them sting. It's okay to feel that pain.
It's alright if you still need to cry.
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I'll miss them for as long as I live.
[ She'll miss what she had, the time when she was happy and knew she belonged. ]
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... ah.
It means that their memory will get to live on in you. So make sure you have a very long, long life so you can tell their stories to everyone.
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Her prolonged silence is telling. She hasn't thought about living a long, long life in a long, long time.
But she doesn't want her parents to be forgotten. ]
... I'll try.
[ That's the best she can do without blatantly lying. ]
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He hugs her close and makes a soft, affirmative noise.]
I'm sure that choice would make them happy.